Amazon’s recent decision to cancel its adaptation of Robert Jordan’s beloved fantasy series, The Wheel of Time, has stirred disappointment among fans and industry observers alike. The show, which had a tumultuous start in 2021, showed marked improvement in its second season, culminating in a third season that delivered one of the most memorable episodes in recent television history.
While Amazon’s choice may not come as a complete surprise—given the substantial production costs and the series’ failure to achieve the critical acclaim akin to that of Game of Thrones—it raises questions about the potential for future recognition. Many believe that an additional season could have positioned the show to garner the accolades it deserved, especially when compared to Amazon’s less favorably received Lord of the Rings series.
Game Development Continues
Amidst the cancellation news, the development of a video game adaptation remains on track. Announced in April, this project is being spearheaded by iwot Games, which has recently bolstered its team with seasoned game designers. Notably, the team includes talent from titles such as Dark Age of Camelot and the long-running Lord of the Rings Online.
While the game’s specifics remain largely under wraps, it is being touted as a triple-A, open-world RPG. iwot CEO Rick Selvage has emphasized the ambition behind the project, promising a comprehensive depiction of Jordan’s intricate fantasy world, including all elements covered in the books and their extensive backstories. This level of detail suggests a deep commitment to honoring the source material.
Craig Alexander, who has experience with both LOTRO and Dungeons and Dragons Online, is leading the project, which aims to expand iwot Games to a workforce of 200 to 300 employees. The addition of former Quantic Dream designer Stéphane D’Astous as director of studio operations further strengthens the team’s credentials.
Despite the excitement surrounding the game, it is intriguing to consider the timing of its development alongside the show’s abrupt cancellation. The only previous Wheel of Time game, a first-person spellcaster released in 1999, was limited by the technology of its era. With this new endeavor, there is hope that the rich narrative and expansive world of The Wheel of Time will finally receive the interactive treatment it deserves.
For those still interested in the series, the Rhuidean episode from season three stands out as a remarkable piece of television. It offers a captivating experience that may resonate even with those unfamiliar with the broader narrative. Perhaps, if enough viewers engage with this standout episode, it could spark renewed interest in the series, paving the way for a potential revival.
