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The villain's monologue is a common trope in video games, often replaced by musical performances from antagonists in some titles. In Middle-earth: Shadow of War, The Singer is an orc who sings operatic verses about battles, enhancing the experience. In Hades 2, Scylla's performances are humorously interrupted by a witch, contrasting her siren songs with Melinoe's indifference. The Joker in the Arkham series incorporates musical interludes, including a haunting rendition of "Only You" during the credits of Arkham City. In Borderlands: The Pre-Sequel, Teh Earworm is a creature that plays catchy tunes, leaving players with memorable melodies. GLaDOS's song "Still Alive" from Portal has become a cultural touchstone, reflecting her personality and enhancing her character's narrative. Total Distortion features guitar warriors, where failure results in a memorable game-over song, integrating music into gameplay. Conroy Bumpus in Sam & Max: Hit the Road offers a satirical country song, critiquing the big-game hunter archetype. In Saints Row: Gat Out of Hell, Satan sings with Broadway flair, adding humor and depth to his character. Ursula in Kingdom Hearts 2 showcases her villainy through song, providing comedic relief with her playful references. I.M. Meen opens with a song that sets the tone for a game blending education and entertainment. In Cuphead, King Dice performs a jazzy number in "Die House," enhancing the stakes and his flamboyant personality.