The yurt in the Mongolian steppe serves as a portal into a world where humanity faces a new infertility virus, leading to the digitization of consciousness. People transfer their minds into mechanical bodies while their biological forms remain dormant. This transformation raises questions about identity and existence in a technology-dominated age, reflecting society's desperate yet hopeful attempt to overcome natural limitations. The yurt's interior, filled with newspapers and magazines, acts as a narrative device, prompting reflection on the implications of a future where the distinction between human and machine is blurred.